My paper sets out to compare neuroaesthetics and transcendental philosophy, concerning the perception of schemes of imitation in aesthetic experience.The argument is structured in four steps: shaft assembly first, I will introduce the function of schemes in mirror-neuron-based processes and in general in the embodiment theory of Mark Johnson and George Lakoff; second, I will consider some analogical relations between 30" Double Wall Oven a transcendental approach and neuroaesthetics concerning semantics; third, starting with the statement that one open question in neuroaesthetics is how creativity emerges, I would like to propose a transcendental account about sensible schemes as a possible foundation of creativity.I will conclude my paper with some examples from visual arts and aesthetic practices in general.